《音乐探索》2022年第4期目录
音乐史学
03 刘永福/“‘同均三宫’是三种音阶”
LIU Yongfu: Three Varieties of Scales as the Core of Tongjunsangong
10 王清雷/ 西周甬钟篆带对角“两头龙纹”定名考辨
WANG Qinglei: The Denomination of Diagonal Double-Head Dragon Pattern on Zhuan Belt of Yong Bell in the Western Zhou Dynasty
28 孟大山/ 明代文人琴社稽考
MENG Dashan: A Study of Literati Qin Society in the Ming Dynasty
34 章怡雯/ 活态释义古琴曲《良宵引》
ZHANG Yiwen: An Interpretation of Qin Classic Song for a Pleasant Night
40 张小雨/ 扬雄乐教思想探析
ZHANG Xiaoyu: An analysis of Yang Xiong's Music Teaching Thought
特稿
49 陈志音 王志明/ 一字之师衷曲于心——追思川音前任院长宋大能教授
CHEN Zhiyin, WANG Zhiming: A Remembrance of SCCM Former President Song Daneng
艺术教育
54 高拂晓/ 音乐表演研究在当代中国的建设和发展
GAO Fuxiao: The Construction and Development of Studies in Music Performance of Contemporary China
作曲技术
63 王中余 石 坚/ 梅西安色彩和弦的理论与应用
WANG Zhongyu, SHI Jian: The Theory and Application of Messiaen's Invented Chords
王光祈研究
76 廖 勇/ 王光祈转向音乐研究的心路历程——兼论中国传统文化中音乐的治世功能
LIAO Yong: Wang Guangqi's Journey to Music Studies and the Function of Music in Social Governance in Chinese Traditional Culture
音乐治疗
85 傅 聪/ 音乐治疗与多学科间的互融关系探微
FU Cong: The Correlation between Music Therapy and Multi-disciplines
民族民间音乐
91 施 咏/ 中国少数民族民歌、歌舞元素在当代流行音乐创作中的运用
——以藏族、蒙古族、苗族、傣族、土家族和瑶族为例
SHI Yong: The Use of Folk Song and Dance Elements of China Ethnic Minorities Groups In Modern Pop Music: A Case Study of Tibetan, Mongolian, Miao, Dai, Tujia and Yao Ethnic Groups
109 孙 波/ 乡俗·乐器·音风——安第斯东部地区拉马斯排箫探究
SUN Bo: On the Lamas Panpipe in the Eastern Regions of the Andes
技能技法
115 邱爱金 崔 磊/“辞藻”“意义”兼而有之
——从两首《浪淘沙》的词曲关系探究易韦斋的歌曲创作观
QIU Aijin, CUI Lei: Rhetoric and Meaning: The Song Writing Notion of Yi Weizhai Viewed from the Relation between Lyric and Melody in Songs Langtaosha
124 吴宏毅/ 听觉艺术中再现原则的结构力量——以安德烈·若利维《小号协奏曲》为例
WU Hongyi: The Structural Power of Recapitulation Principle in André Jolivet's Concerto for Trumpet
130 孙 钧/ 周玲荪《钢琴教本》及其价值探索
SUN Jun: The Textbook of Piano by Zhou Lingsun and Its Value
139 周大平/ 家国情怀 共振和鸣——钢琴套曲《北京万华集》解读
ZHOU Daping: An Interpretation of Piano Suite The Kaleidoscope of Peking
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